Dubrovnik, Croatia {travel with film} Part 4

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Art seller

Inside the walled city, i feel the fusion of urban commercialization with medieval haunting covering the whole place. It is as if two lovers struggling to keep the relationship alive and yet dances in harmony to the playing music.

I walked passed by a shop selling potpourri of trinkets only to be greeted by the next shop with hand crafted items and arts. Today is the first day in Dubrovnik and after 15 minutes inside this ancient city, i knew i made a big mistake.

I had only 7 rolls of film and about to finish up the 3rd roll.

(Do visit my previous chapters here : 1 2 3, this whole series is done completely in film)

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The oldest pharmacy in the world

As my family strolled along the main path looking at the shops and cafes, we noticed there are narrow paths between some shops and those paths are opens up smaller shops that array themselves along the corridors.

On top of these shops are actual residents living in almost apartment like setting. They are not allowed to renovate the outer construction to preserve the medieval theme. Most are available for rent and you could find them at premium prices in AirBNB.

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postcards

I didn’t want to buy any souvenirs since it is just day one and constant reminder that i am running out of film only leave me with two options. I could either switch to use the Fuji digital camera that Phoenix is carrying with her and that amazing 16 f1.4 in her green bag or i should try to find a shop here that sells film.

I went for the latter.

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Narrow walls

It is a vintage location with vintage look, feel and ambiance. Who in the right mind would prefer digital over film in Dubrovnik? Hahaha, that was playing on my mind as i turned on my “radar” as we tour the ground level.

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toys of thrones

 

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charlie

When Phoenix and Sheryll got tired and decided to snack at a cafe (there are 1 at nearly every 10 meters away) i took the opportunity to walk up some of the visible stairs leading up to side of the city. Away from the main attraction you can see people going about their normal lives, doing laundry and chilling outside the window.

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the chef

There are all kinds of restaurants here and even at the higher level of the city if you walk up the stairs you will see smaller establishments. It does feel “crowded” sometimes in this city despite the vintage settings and i was really hoping to find a quiet spot to just take in the moment.

Next, i be sharing images taken at the wall tours and piers in the tip of the walled city.

Dubrovnik, Croatia, Chapter 5

Portraiture with Olympus 35 UC {portraiture|film|gear review}

olympus 35 UC with 42mm 1.7
olympus 35 UC with 42mm 1.7

Recently i have come to acquire an “unloved” camera. According to the seller Eugene, he came across this camera from a bundled sales of various film cameras and he was surprised to find this gem. Unfortunately in Malaysia, seems like there isn’t much love for film cameras of any other brand except Leica, Nikon and Canon. Listed on his page is this peculiar Olympus 35 UC with a fixed 42mm 1.7 lens.

I bought it and i been using it for 3 weeks now. Now, just to bring some context to my short review here, I do own 2 (two) Leica M7s among other film cameras that are M mount, Lomo LCA120s/LCA+ and Nikon F100. I have used all the mentioned cameras for both model shoot and particularly the M7 on my recent trip. After i have used this Oly and seen the results though, i am totally stunned.

The lens is SHARP and the rangefinder focusing is very easy to see. The fun of using this camera, its operation and simplicity of setting it to 1/500 almost everytime on an ISO 400 film at 1.7 for outdoor is just dummy proofed.

Lets see some results.

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stephy. Pro400H. Olympus 35UC 42mm 1.7
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stephy. Pro400H. Olympus 35UC 42mm 1.7

All the images here are shot at f1.7 handheld. On an ISO 400 film, i didn’t bothered to load the batteries into the camera because the metering is a series of EV values and i have never used or set EV in any single shoot that i have done in the last 4 years. I prefer to keep things simple by ISO, Shutter and Aperture, EV to me is nothing more than a distraction. Granted the camera shows the EV values and you just need to turn either the aperture or shutter speed to get the “same” shown EV in the viewfinder and your set. Since i am always on f1.7, the metering was merely a cosmetic feature.

 

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stephy. Xtra400. Olympus 35UC 42mm 1.7

These shots on Stephy (stephy yiwen) are one on Petaling Street, the Chinatown of Kuala Lumpur. The backdrop you see here is the oldest tailor shop in malaysia and has been in operation for over 100 years. Love the fact that i am using a very old Olympus camera to match the whole theme.

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charlotte. Pro400H. Olympus 35UC 42mm 1.7

The Oly uses a leaf shutter and the size is kinda perfect for my hands. The camera is not “solid” like the Leica in terms of build quality and the feel you get when you hold it but it has its own charms. Among some of the things i really love about the Olympus 35UC is that its a very serious tool with a simple and humble front. There is nothing inferior when it comes to its output.

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charlotte. Pro400H. Olympus 35UC 42mm 1.7
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charlotte. Pro400H. Olympus 35UC 42mm 1.7

42mm is an odd and vintage focal length. There is something about this focal length that i really love. It just looks a tad more natural than 35mm that i use on my M7. For some days i couldn’t figure it out, i alluded the reason to placebo effect of having a “new toy” but after 5-6 rolls of images done across three weeks, i found myself preferring this focal length more than anything else.

It was only later some friends pointed out to me that 43mm is most likely the actual focal length of our eyes in the central zone that i became convince that the “its just more natural” have some credible reasons behind it.

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charlotte. Pro400H. Olympus 35UC 42mm 1.7

In summary, i totally dig this camera. So much so i got another copy of the more common Olympus 35SP (they are the same camera with differing cosmetic changes) as a backup for parts. The lens reminds me of a Leica 35mm 1.4 summilux that i have tried sometime ago but at less than USD 250 per camera + lens, its impossible not to love this camera.

This opens up my mind entirely when it comes to Olympus film cameras. If they could do “this” quality setup since 1969, i am intrigued to find out what else we the “new generation” have missed out on this perceived underdog brand.