Dubrovnik, Croatia {travel with film} Part 8

Read the earlier series :

Dubrovnik, Croatia {travel with film} Part 7

Dubrovnik, Croatia {travel with film} Part 6

Dubrovnik, Croatia {travel with film} Part 5

Dubrovnik, Croatia {travel with film} Part 4

Dubrovnik, Croatia {travel with film} Part 3

Dubrovnik, Croatia {travel with film} Part 2

Dubrovnik, Croatia {travel with film} Part 1

After Dubrovnik and Lokrum, we went to Zagreb and took a personal tour with a local there to visit the Plitvice National park, on the way we stopped by this small town named Rastoke. Boris is a super personal guide that drove very safely and was patience in showing us the locations and updating us on the scenes that we visited. You can find Boris in trip advisor, be sure to tell him that about this blog and ask for  a discount 😉

This is a beautiful town that looks like it came out straight from the disney fairy tale.

 

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fairy tale residential scenery

Houses are built surrounded by beautiful mini waterfalls and streams. Its a sight to behold and there is a cafe at the entrance that you can sit and enjoy this beautiful view. Prices here are cheaper than Zagreb and if you want there are lodging that you can book and stay.

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slope for scenery view

If you walk up the road on the side you can see how the houses are built around the streams and in harmony with nature. There is no better landscaping than one that makes nature your neighbour. Totally awesome and the envy of any architect.

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surreal living

One of the main attraction here are the houses at near the entrance just a 5 minutes walk in the area and you will see crystal clear water in a shallow lake by the houses

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Mesmerizing scene

We spend around an hour at Rastoke, enjoying the view and sat a while at the cafe. We then proceed to the Plitvice National park.

Plitvice is our last travel destination and thus the end of this long series of travel with film for Croatia. We spent nearly 5 hours here. Yup, 5 hours. It involved a lot of walking, trekking and walking. I suggest you get a some water resistant shoes and clothing when you visit this place.

In fact, if this was a solo trip, i would probably spend the whole day here. While Rastoke is beautiful and surreal, its also a small town, Plitvice on the other hand is a huge garden of Eden.

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You will find yourself surrounded by emerald lakes and clear rivers that will make you wonder if such paradise is worthy of humans. These images that you see here are unedited and captured on film for its analogue and organic feel, something which i feel would be corrupted by digital capture.

Lets just enjoy these last set of images as i close this chapter on Travel with film for Dubrovik, Croatia and its attractions.

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Say grace to God, for allowing us to enjoy this beautiful scenery

This whole series has taken me one whole year to write and share. All the images in this travel blogging photography series is done using Leica M7 with 35 mm Zeiss ZM f2.0 lens. All the images are shot wide open and i used various films like kodak color plus 200 (bought in Dubrovnik), Superia 200 and Fuji Pro400H and developed in Publika Bang Bang Geng, Malaysia.

Thank you for visiting my blog, i hope you find inspiration to travel to Croatia.

(Next in 2017, ICELAND!)

Dubrovnik, Croatia {travel with film} Part 7

Read the earlier series :

Dubrovnik, Croatia {travel with film} Part 6

Dubrovnik, Croatia {travel with film} Part 5

Dubrovnik, Croatia {travel with film} Part 4

Dubrovnik, Croatia {travel with film} Part 3

Dubrovnik, Croatia {travel with film} Part 2

Dubrovnik, Croatia {travel with film} Part 1

 

I boarded the ferry with my family and off we go to Lokrum. The main attraction of that island is the dead sea, the amazing view and clear waters. There is a nude tourist section but since i am not ready to be seen on my beach bod, that was skipped.

The best part of this island is that the gov of Croatia does not permit anyone staying overnight there. That limits the kind of facility that can be built on the island, the usual unsightly footprint of human accommodations construction and hotels are nowhere to be seen. There are just a few restaurants there and that is good enough for everyone.

 

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towards lokrum

Sometimes film photography is “the only” way to go travel. If you look at the picture above, that korean tourist is on her phone busy uploading boring instagram images while the beautiful scene fades away. When i carry a digital camera i just can’t avoid looking and double checking on the LCD screen all the time and machine-gunning every scene repeatedly. The more time u spent with ur eyes in the camera, the less you travelled.

 

lokrum photography

shores

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sofa of rocks

amazing foliages

The way natural lights dances in and out of Lokrum is just amazing. I shot everything on F2.0 wide open on the Zeiss biogon and i take the results with vignette happily. You don’t need any metering at f2.0, if its bright, set the shutter to 1/1000 on the Leica M7 and your done. If its shady, set it to 1/250 and you are good to go. Most of these images are taken on Fuji pro400.

Looking back at these images as i type these words, man, those colors and organic feel is just awesome.

the couple

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dead sea

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dead sea crowd

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crystal clear

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party

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lokrum opening

Lokrum is a must visit island if you are travelling to Croatia or Dubrovnik. Its one of those beautiful places that you just wished you could be remoting and living there for months. While the inland dead sea pool view are not as breathtaking as the plitvice lakes which i will be sharing on my next installment,  the shores and foliages in this island sets it apart as a tourist spot.

Dubrovnik, Croatia {travel with film} Last Chapter

 

World’s most beautiful Leica M6 Part II {does it takes pictures?}

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M6 Dragon Y2000 Black Paint

Read Part 1 here

We have to ask ourselves whenever we try to justify our purchases. Especially one that comes from the red-dot company (cough*). The left brain begets us to explain, to sanitise our conscience through logic. The big question is “Why did you buy this camera, will you even use it?”. There is a thin line between a gear head, a collector and an actual enthusiast user that appreciates using the tool.

 

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Leica M6 dragon with 35mm f2 Biogon

When i bought the Dragon M6 limited edition, i was clearly stunned by its built and quality. I even blogged about this earlier . It has been weeks since i had the camera. All the early shouting and self afflicted propaganda to keep buyer’s remorse have subsided. I couldn’t allow myself to keep the camera in the box to just appreciate its aesthetic values, my views of collectors are pretty low in respect and using that same measurement on myself would make me a complete hypocrite.

A beautiful tool such as the Dragon M6 have to prove its worth and a camera is useless if it isn’t used to create images. So i took it out for a whole day shoot when my model friend and internet idol Stephy Yi Wen told me that she would be going to Korea for studies. I got myself some rolls of Fuji Superia 200 and Fuji Venus 800. I knew that i would be using the 35mm Zeiss Biogon wide open but in a room with only dimly available natural light coming in, the ISO 800 film would be handy.

 

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The Dragon 2000

If you happened to be travelling to South East Asia and passing by Malaysia, do get your films replenish and develop in Bang Bang Geng in Publika. With the pathetic level of Malaysian currency today, you could get a Superia 200 for USD 4 and scanning with development for USD 4.5.

Now back to shooting session. I noticed that there are indeed some improvement that M7 does have over even this Dragon M6. One of them being the iso dials you see behind the body, the M7’s iso dial is clearly easier to use and felt more robust. The other is the shutter dials. The Dragon’s shutter dial are more polished and looks great but turning the knob at each stop felt better on the M7. The M7 is after all a much newer camera.

 

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Immaculate finishing

The rewind knob is used slightly differently than how i imagined it would be. The Dragon’s knob needs to be lifted up while the 2 dots remains submerged to do the rewinding. I found myself winding for 5 minutes and getting nowhere initially before i realized that the knob needs to be lifted.

There are several aspect of the camera that made it a very inspiration tool for use. First, the body is slightly lighter than the M7, i would say almost nobody would buy an M7 or M6 without using it on a holster or case. The Dragon just felt perfect while the M7 felt a bit on the heavier side. This is of course a purely personal evaluation. The other advantage is that the Dragon only uses 1 battery as opposed to 2 on the M7, the mechanism of replacing the battery on the M6 is definitely built better than the M7s.  The 0.85 finder, delicious.

Enough about the camera, how did it do, i will leave some images here for you own evaluation.

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beautiful stephy. M6 dragon. venus 800

 

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Enlightenment. M6 Dragon, venus 800.

 

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Alluring. M6 Dragon, venus 800.

 

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Stephy @ Sekeping Jugra. M6 Dragon. Superia 200

 

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“There”. M6 Dragon. Superia 200.

Could i have gotten better or similar results from the Leica M7? Of course i could, don’t be silly :-). The Dragon M6 might be the most beautiful Leica M6 that warrants it as a collector item but it should by all means be used. The 0.85 works really well with the 35mm frame lines. What was you weekend shoot, did you try film? Do share some of your thoughts here.

Shooting film in 2016, 2017 {kodak ektachrome revival}

I take it that you are here is because either you are curious about shooting film or that you read about the revival of kodak ektachrome. I been shooting ALOT of film in 2016, fueled mainly by the desire to slow down (you will hear this reason from almost anyone who shoots film) or the cosmetics tones that film provides.

Film labs in malaysia are cheap. So cheap that the labs like ColorDotCom and Bang Bang Geng have films from all over the world posted to it for development and scanning. The results are uploaded via wetransfer or google drive the moment its completed and owners can enjoy the results while their negatives takes its time to return.

Total cost per roll? USD $3, that includes both development and scanning.

Don’t get me wrong, i am not giving up on digital. But digital, like a genie from the lamp gave me so much power that i forgot whats it feels like to enjoy the process and to stop being a gear head or reading up exciting new gears every quarter. Moore’s law guarantee that your current digital gears will be crappy in comparison to new releases faster than the new car models.

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film tones, fujifilm 400H, olympus 35 uc 42 1.7

Film cameras on the other hand had reached its golden age somewhere in the middle of 1970s. Since no “sensor” was involved, manufacturers had to think out of the box on how to make the next release. Premium and even mid level cameras were built so well, they have a heft to it when you carry them and they easily lasted over 20 years. Most of these manufacturers focused on quality and build and the vast amount of film cameras available today and still functional are a testimony to these decisions.

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mamiya rz67pro, 180mm f4.5. Kodak Porta 400

Truth is, digital cameras have reached a level whereby you don’t need to buy a new one anymore. The nikon d3000 that i purposely buy because of its large CCD sensor produces amazing results. Yup, d3000, the supposedly weakest camera released by nikon according to Ken rockwell ;-).

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nikon d3000, sigma 50 1.4 (non art)

Around 6 years ago, the camera that got me interested in photography in the first place is the quirky Sigma DP2. I was interested in why would a manufacturer go against all odds to pursue and release a camera using a different sensor than everyone else is. I soon gave up on that camera after realizing that i am addicted to pixel peeping  but produces nothing interesting in actual photos. Film on the other hand is at the far right side of the spectrum, where one no longer pursue sharpness, latest and greatest or burst speed, but rather the communication with the subject and the process to think more before pressing the shutter.

Shooting film enables me to appreciate the digital gear that i had, the awesome power of technology and how much it has progressed since early 2000.

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Canon 6D, 35 1.4L lens with VSCO film tones.

My only FF digital camera is the Canon 6D and i have only 1 lens to go with it, the 35 mm 1.4 L. This to me is more than sufficient to create albums that new models and existing models friends would want. When the album are not urgent, i would use film as well. In the world of film, a Leica M7 with a Noctilu f1.0 do not have much advantage over a cheap USD $100 camera like the Olympus 35 uc, they are both used depending on my mood for the type of results i want to get, instead of showing off  Leica as a brick around the neck.

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Leica M7. Noctilux f1.0. Kodak Color plus 200

As i went one full circle from 2011 till 2017, i began to appreciate and understood the reality and truth that “gears” are not really the important factor, but rather the photographer.

I bet if i had my hands on the tragic Sigma DP2 again, perhaps this time, things would be different.

 

 

 

Portraits, last months of 2016 {portraiture|film}

Just wanted to share some of the images i took in the last months of 2016, between November and December 2016. Some friends call me the best portrait photographer in Malaysia jokingly, looking back, i have done portraits without any limitations on myself, pursuing whatever medium and gears i felt is inspiration for the album and experiment and learn at the same time.

I have been using mostly film exclusively, some on the medium format Mamiya rz67pro film with Kodak Porta and  some on the leica noctilux f1.0, M7, fujipro 400h film.

 

 

Dubrovnik, Croatia {travel with film} Part 3

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tourists 101

This is the 3rd chapter on sharing my film only travel experiences on Croatia from the period of June 28th to July 12th 2016. You can find read about Part I and Part II before coming here.

Upon reaching the entrance of the old city Dubrovik, you can see huge crowds of tourists from various countries. Mostly are white people from Europe, America, Australia and some asians from Japan and Korea. Particularly interesting is that i have seen more Koreans here than from any other asian countries.

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crowd

I took these 35mm shots feeling much safer and bolder than i would have done in Malaysia. It is after all a tourist spot and you can see in the picture above it is not easy to find someone who still hangs a camera at their neck. There are some canons and nikons around no doubt, but mirrorless and mobile phones are the cams of the day.

Street photographers would find these spots interesting but i saved most of my films for the scene inside the old city.

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no.19

Droves after droves of tourists with their guides will arrive here. There are also individual guides that you can hire here that will walk you thru the old city and provide historical expository guidance.

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handcrafts

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majestic walls

Before entering the walled city thru the obvious gate, you can walk near to the side of the restaurant and see how the walled city looks like on a majestic ocean view. There are still vintage like ships that would be seen sailing here and for those seeking additional adventure, there are kayaking services that will bring you into some of the gates built at the bottom of the wall. You can see one of such entrances in the picture above, looks pitch black on my shot here.

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first steps

Here is a glimpse of inside of the walled city, here is where you will see cameras snapping away and its pet friendly too. I spend nearly 4 hours here before my kid got tired and took a lot of amazing images that i will share in my next chapter.

Chapter 4.

Dubrovnik, Croatia {travel with film} Part 2

Between my rented apartment and the old city Dubrovnik is a beautiful harbour. I took a stroll down with Phoenix while Sheryll takes a rest from the flight.  Retail stores here are nothing like those in Kuala Lumpur city, they are more “vintage” and gives the impression that the owners are of aged.

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The harbour. Pro400H

It’s a pretty narrow set of shops lined against a the backdrop of rocky hills. There is a constant lure by the scene to hike along those hills and create your own “Lord of the rings” experience. Walking along the harbour towards the old city takes around 20 minutes.

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peace along the harbour. Pro400H

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the walk. Pro400H

The walk itself is a peaceful and unfolds several serene scenes. There are residents along the main road that resembles some mansion and old rocky stairs that leads to the homes. I like these scenes. It strikes a nostalgic chord somewhere inside of me, wondering what happened to those people who have taken these steps and how so much activities have preceded us.

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old rocky stairs. Pro400H

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mansion of old. Pro400H

There is a bakery shop that we stopped by and we were wanted to experience what Croatia bakery is like. While they were enjoying the bread and cakes, i took the shot below.

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the bakery. Pro400H

You could take a taxi or bus to reach the old town but for the next few days here, i walked there every single day. Enjoying the same scene and answering more and more of my curiousity of the people who lives here. Different time of the day grants the same scene a very different feel. Shooting these scenes on film….are just perfect.

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the view. Pro400H

Halfway towards the old city, you will come across some locks with love messages locked to the fence. This fence leads you to an opening view of the sea and you can see the shores on the left and the newer city and hotels on the right. It gets really windy here, a perfect spot for emotional portraiture. I am not an aficionado for landscape, so i had to include a model in most of my shots, no models around, my family had to fill in 😉

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next “The old city Part III”

Dubrovnik, Croatia {travel with film} Part 1

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I want to share the photos from my recent trip to Croatia done entirely in film. This will span several chapters and posts to complete. When my family decided on Croatia for this year’s family trip, i selected the Leica M7, some rolls of Pro400H and Superia 200s. (All images in these series are taken on M7, 35mm Zeiss ZM)

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Amsterdam Superia 200

Our flight have to stop by Amsterdam for a night before leaving for a very early flight the next day to Dubrovnik. I carried a small Crumpler sling bag and i am surprised i managed to put the M7 with the 35mm f2 Zeiss and 7 rolls all into that bag.

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Superia 200. M7

My “home ministry of tourism” decided to be thrifty and she booked a budget hotel for this overnight stay because its very near to the airport. We took the free shuttle provided by Ibis just outside the airport.

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no makeup and tired from the trip, i hope she don’t see these photos haha. Superia 200.

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IBIS budget hotel. You buy food thru the vending machine downstairs. Superia 200.

In Malaysia, if you are into photography, you will definitely lament on the fact that the “golden sun” only exist between 7.20am to 8.30 am and 6 pm to 7.20 pm. So you can see how ecstatic i was when i landed in Amsterdam around 8pm and the golden rays greeted me.

IBIS budget hotel is exactly what it is. A small room with a double decker just enough for a small family of three. We walked over to the non-budget IBIS hotel which is located just 200 meters away and had our dinner there.

The flight took 2 hours to reach Dubrovnik. We were greeted by Nikolina, a mother of 2 and had coffee with her while her father in-law prepares the apartment for us.

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The apartment. Superia 200.

Located at Grutz, it is a 20 minutes walk to the old city Dubrovnik. Our apartment is built on top of a reclining slope and leads to a beautiful harbour. It’s a beautiful sight to behold and walking by the harbour around 18 C is enjoyable.

 

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On the way down, we took some photos by one of the neighbour’s door, beautifully surrounded by flowers. Sheryll is camera shy and cant wait until we are done. Superia 200.

Dubrovnik is where the Games of Thrones was filmed for the “King’s Landing” scenario.

next, the walk Part II

Film + Digital and why LCA120 should be avoided {glance review| sharing}

 

 

LCA120

LCA120 shot from 1 meter

I going to be real blunt here even if that includes shooting myself on my feet. Having been thru several sessions and shooting both films and digital, it gives me the pleasure of filtering out the gems from the garbage.

First off let’s talk about LOMO LCA120. This is a medium format film camera that i bought after using the LCA+ for few weeks. My opinion was that if i had so much fun with LCA+, LCA120 would be worth the purchase. My opinion now is that it is a camera that should be avoided. Like many others i read phoblographer’s raving review on LCA120 but here are some reasons why i am find it off my recommendation list.

  • 4.5 is a slow for the LCA120, the problem is the shutter button, unlike the LCA+, the button on LCA120 is challenging to press. Makes me wonders what got into Phoblographer for even recommending this camera. While the LCA+ have an aperture of f2.8, its usability was decent. On a light plastic camera like the LCA120, its horrible. Don’t expect to use it anywhere except bright outdoor or tripod.

 

LCA120 auto exposure

LCA120 auto exposure (note the distortion pillar)

  • At f4.5 the autoexposure is crap when used on a medium format LCA120. Vignetting on a medium format is just silly when you have to pay over USD 400. When phoblograher says this is best for street shoot, i think what he means is this is only usable for bright, outdoor street. period.
  • Distortion everywhere. See the picture above, notice how distorted the pillar is. Unless you are shooting infinite all the time, expect all kinds of distortion on this Minigon 38 f4.5 lens.

 

LCA with f2.8

LCA+ with f2.8

So get yourself the LCA+ from the same LOMO company and ditch any idea to buy the LCA120. I have a LCA120 totally like new now with all the original box and packaging if you want to give it a go, make me an offer. But my conclusion is that LCA120 is best used as a prop not as a photographic tool, its defnitely nowhere as fun or as useful as the LCA+ .

 

digital on FZ1000 at f2.8 25mm

digital on FZ1000 at f2.8 25mm

When you own and major in shooting film, sometimes the digital itch rears its head and i digged out whatever digital camera that is left with me to bring to a shoot along with my film gears. The picture above is taken with FZ1000, took me like 2 seconds to take it and 10 minutes to post process it with a barrage of mix presets from VSCO.  You know that saying “Once you go film you can’t go back” …it’s true (though i made up this quote).  I find digital output a bit too clean and not a single picture i took ever since was released without post processing them with grain. If you like film grains, use the Color EfexPro, its not just adding grain blindly, its adding them like how a film would have them.

 

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F100 50mm 1.4 Sigma, Fuji400HPro

Film gears comes in two flavours. The Autofocus and the manual ones. The F100 that i use for this picture is autofocus and it works with any lens created for Nikon F mount as well as older autofocus lenses such as the “d” lenses. While i do enjoy shooting film manually, sometimes its a joy using autofocus when you want to lean your thoughts more towards results and yet enjoy the beautiful tones from professional grade films like Porta or Fuji Pro.

 

nikon D610, sigma 50 1.4

nikon D610, Nikon 50 1.4 D.

I have sold off my Nikon D610 too to a good friend, at a huge discount. During my ownership of the camera, i often spend way too much time processing the output into film hence i rather use F100 for my projects. Example above is a result of processing with VSCO AGFA preset .

 

noctilux f1, kodak superia 200 film

noctilux f1, kodak superia 200 film

 

Noctilux f1, Kodak Porta 160

Noctilux f1, Kodak Porta 160

 

XA2, FujiChrome, 16 f1.4

XA2, FujiChrome, 16 f1.4

These last 2 pictures are taken on the Fuji XA2 and 16 f1.4 fujinon lenses using in camera film simulation of FujiChrome. The still look digital to me, but the film simulation provides a closer gap between film and digital.

XA2 Fujichrome 16 f1.4

XA2 Fujichrome 16 f1.4

 

I will be going on a trip to Croatia soon and after much pondering, i will bring the fuji with f1.4 over. It is a family trip and travelling light is the priority. I do find myself mulling over this decision and thinking of ways to fit in one of my film gears with me, perhaps the Leica M7 with 35mm zeiss.

kim {film | portraiture | LC-A 120 | Leica M7}

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lc-a 120

I had a fantastic weekend unwinding by doing a set of portraiture using the LC-A 120 medium format film camera and my trusty Leica M7.

One of the challenge that i faced is that LC-A and the bigger LC-A 120 have exposure control. This means that if you shoot backlighting photos, you will just end up with silhouette images. But as you can see in the images here, i managed to come up with a technique to fool the camera without using any filters or add ons.

Lomo cameras should be used with a lot of common sense and thoughts to get good images. If there is one thing you should forget, is to forget the 10 rules of lomography. There is no shortcut for good images and visualization.

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lc-a 120

All these photos are shot on a Fuji 400H pro for both the LC-A 120 and the Leica M7.  You can easily differentiates the pictures of the LC-A 120 by its square format and the Leica being rectangle. These are taken at the beach and hotel called “LonePine” in Penang, an island on the northern state of Malaysia.

 

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lc-a 120

Miss Kim here is a top 10 Miss Malaysia in 2013. Though it has been years since she got involved in any beauty contest, you can see that she doesn’t require much effort to be photogenic. On the LC-A 120 camera, i took these images by standing just 1 meter apart. In lomography sites, you often see that almost all the images shown are taken on a centre subject and with light facing it else its dark, my examples here are unique because for once you get to see images taken using the LC-A 120 backlighting and yet decently exposed on the subject. 

 

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lc-a 120

The technique is very simple. PM me if you want to find out 😛

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leica m7, 35mm biogon

Now i did a complete album using the M7 and fuji 400h pro film. It’s an emotional theme that portrays the relationship between a girl, a vintage camera at a lonely room. Do enjoy the images here, the complete set could be found at my facebook, fb:marcuslowphoto.

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leica m7, 35mm biogon

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leica m7, 35mm biogon

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leica m7, 35mm biogon

Next, i be sharing some of the  candid photos i took on the LC-A 120 as well as street photos. Till then, adios.

 

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