■ amanda ■ Sands {portraiture | ccd sensor}

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This is Amanda CME (fb,insta: mak3upqueen). I met her 3 years ago and last sunday we decided to collaborate. I shot this album using both film and CCD digital. Unfortunately film is still processing and not out yet, so do enjoy my digital version. Shot on the “lousiest nikon camera – ken rockwell” D3000.

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As much as i am eager to see the output from the 6×7 film i shot, these CCD output from my Nikon camera are just awesome. Amanda have done so much makeup for her clients, doing model poses is like a walk in the park.
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Hope you enjoyed the photos. I am the best portrait photographer in Malaysia, not commercially, but in my thoughts, reach out and passion.  Do forgive me for the arrogance 😉

Bokeh vs Bokehless, the lost art {Portraiture}

angela {bokehless}
angela {bokehless}

I been struggling to master the bokehless portraiture. This struggle has motivated me to force myself to use cameras with deep depth of field and hence inability to produce bokeh photos. One such ridiculous camera is the Casio TR. If you read my previous blog, i took this camera and went walking around Singapore as well as shot my model friends in Kuala Lumpur. Things took a change when i decided to ask Angela Lieche to do a shoot with me. Angela (x.x.angela instagram) have been creating beautiful bokehless images and her fame instagram is rising fast, thanks to her images.
Bokehless portraits, takes a very different set of eyes and mind to capture them. When i had the Casio TR, i tried my best and eventually i admit i could not take any satisfactory portraits with it. You can read about how the model herself could take a better picture here.

angela {bokeh}
angela {bokeh}

I am lucky to be the owner of a Noctilux f1. An ancient lens granted by Leica to possess magical qualities. I maybe exaggerating but the fact that you use a rare aperture, it can only create different bokeh and imagery. So in this shoot with Angela, i use the new skills of utilizing both bokeh and bokehless cameras. The bokehless camera is the Ricoh GR 28 mm f2.8 and the bokeh camera is my trusty Leica ME Noctilux F1 v3.

angela {bokeh}
angela {bokeh}

If i were to be downright honest here, i am one of the best outdoor portrait photographer anyone can find in Malaysia. Not the best, but definitely one of the best.
Well, let me correct that statement earlier, “best outdoor female portrait photographer”. LOL.
I pay my dues with constant learning, practicing and restrain in learning and enhancing my skills, do visit my other articles and photos to see the various themes that i have done and collaborated with. I learn from the best, be it Dragon Chow from HK, Ming Thein of Malaysia or a freelance model like Angela who is gifted, i take my lessons with no prejudice.
Is it profitable? No by a far margin, photography to me is like an art and a gift to me and people that i meet.

Please do enjoy the images below and drop me a comment if you enjoyed my images and lame jokes.

angela {bokeh}
angela {bokeh}
angela {bokeh}
angela {bokeh}
angela {bokehless}
angela {bokehless}
siew may  {bokehless}
siew may {bokehless}
siew may, {bokehless}
siew may, {bokehless}

Portraiture, #3 weird reasons why bokeh rocks

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I prefer bokeh that is generated by lens that are in the focal length of 28,40-50,90. Never been a fan of zoom lens that goes over 90. The reason is simply because of the wonderful portraiture that i can do given a limited space and ambient light. Bokeh are only possible in such scenario if you have a very fast lens and we are talking about 1.4 here as the minimum.

In order to make this article real simple, let’s not jump into the argument that bokeh and the blurring of background are two different things. I know they are, but we often means the whole package of how the bg are blurred + bokeh characterictics. So when i say bokeh here, i am referring to that package.

So as promised, here are 3 reasons why bokeh makes all the differences.

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#1 Because the background is just awesome…bad

Except for studios and rare paths where you won’t find picnickers and tourists flocking to it, more often than not, the backgound is just plain noisy, ugly and distracting. Yeah thats a common reason, but the weird reason would be because bokeh can massage a bad background into a good one.

Background objects tends to blur and blend together into some form of abstract cream. These blurring effect and the bokeh of how the highlight/contrast are generated, allows your picture gain more “attention”.

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#2 Bokeh is actually optical photoshop

Our eyes blur out the background of an object by doubling the picture because we have two (2) eyes. That means there is actually nothing natural at all in bokeh because thats not how we actually de-focus stuffs. But the camera having only mono vision and due to the way light comes in and distance/focal length comes into play, bokeh is created.

In short, bokeh actually creates a background for you pretty much like an organic backdrop. That is priceless in art value…because you will spend 10*124+24848 hours to get the same effect by photoshoping it yourself and it would still look fake.

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#3 Bokeh forces you to learn to be a better photographer

You heard the saying before “f8 and be there”. If you want bokeh, you better “f1.4, very quickly take out your camera and shoot, now that background, u sure that will make a nice bokeh?”
Well first of all you will end up buying expensive lens because bokeh is also related to how big your aperture is, and the bigger aperture you have, the more expensive it is. Once you paid for such a lens, my, you would use it to leverage on its ability to shoot in low light and subject separation.

Truth be told though, you will need to learn to see and imagine how the bg will be..in bokeh. So while some folks thinks that bokeh is a cheap trick to get good pictures, its not. Like everything else in life, it only gets better as u train in it and practice.

The same can be said of trying to do portraiture on small aperture and large dof. It forces you to see how the background would affect your image and both are true.

Enjoy the remainder of the images below and they are all shot at 1.4, indoor, handheld.

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Pavillion {Street photography}

Promoter of Agatha
Promoter of Agatha

It started as a beautiful afternoon as i walked outside Pavillion. Its a high end shopping mall in the Bukit Bintang area in Kuala Lumpur, arguably one of the safest place to do your street photography. First person that i took is this lovely caucasian model hired to stand outside the hot sun, I could see that she is sweating from the heat but the job has to go on.

All images are taken with the CCD Nikon and 58mm 1.4. Its been three weeks now with this camera and its a balance between film and cmos to me. Less gears, more photos, its like a mantra that i keep telling myself.

Happy all the way
Happy all the way

Next is this happy girl chatting away on her phone while walking. Actually she has been chatting and walking like at least two(2) round and still looks happy. Whatever she is smoking, i need some.

Korean pop star
Korean pop star

Some friends that looked like korean began to pose outside the mall entrance. I took the opportunity to snap one of this shot when the one with the black dress posed. The sky is turning dark at this point and my iphone is running out of batteries. I needed a break and walked across to the Leica boutique inside Star Hill.

Miko of Leica
Miko of Leica

This girl is just 19 years old. She is kind enough to borrow me a charger to resurrect my iphone while i chatted with her. I am easily intrigue with people’s life stories and decisions and i think i spent one(1) hour there listening to her. Bought myself a LFI (leica) magazine that is from April 2014 because of one of the article on Fukushima.

Family
Family

In this picture only the little girl noticed that i was aiming the camera at them. Its true that DSLR ain’t so discreet when doing street and i been doing street using a ridiculous 58mm which is converted to 87mm since i am using 1.5 crop factor APSC. I do miss having a real 28mm around, but shooting at this portrait focal length forces me to get use to it. I am like about 7-8 meters away.

The Lost
The Lost

I saw this uncle when i first reached Pavillion and after i went to the leica boutique and met Miko and came back out to shoot, i saw this same person walking around, with the same visage and expression. In someways, i felt pity but i don’t know the reason, so i just took a photo of him walking past me.

You can't stop fashion
You can’t stop fashion

This is must be the most fashionable muslim lady i saw today. interesting matches of clothing.

Friends forever
Friends forever

When it rained, i quickly went to a shelter in front of Pavillion and noticed many people crossing over.

fun
fun
i can't believed he asked me to run in the rain
i can’t believed he asked me to run in the rain

Hope you enjoyed these images. I know i have not been doing as much model’s portraiture lately and its not because i have lost interest, but photography is my main sports nowadays and walking around is the only real exercise i get. I do notice that i do street like i do portraits. If you are wondering why majority of my shots are females, its because that’s just how my photography eye is trained on, portraiture on models.

Nude face

Misa yap, smiling confidently with her almost nude face.
Misa yap, smiling confidently with her almost nude face.

At night, seemingly boring places begins to transform vividly. Beautiful lights and street bokeh fills any scene that captures it and people tend to be more relax. Welcome to casual night photography. I’ve always been a fan of taking natural photos of people without too much make-up, its often near impossible to find any models that would brave such session.
I realised that i could only ask for friends to pose for such shots. Oh, don’t forget that f1.4, u be needing it.

M9’s undying legacy

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This was taken using my M9 two years back. Edited using my current preference.

It happened again. I read it before in Prosophos’s blog about how he find the M9 CCD’s sensor different during his workflow processing. Today however, i met
an old veteran in photography, Mr.Chua. Mr.Chua owns one of the first version of the Kodak 2mp digital camera back in early 2000, it cost him USD 15k. Today his works are used in Canon’s marketing brochures in Asia and marketing materials.

After showing me some beautiful images he made in portraiture and landscape suddenly he pointed out one of the images and said “this one is taken with the M9, see how beautiful the dynamic range and contrast are. The shadows and recovery is really good”. He went on to say how he find the new M 240 produce images that resembles too much of japanese cameras. At the back of my mind i was thinking, “is this the CCD vs CMOS effect?”.

Digging up some of my old M9 files, i begin to inspect some of it. Looking at it at 25% and 100%, is there something different here that i didn’t notice back then?
After much viewing, i still could not convince myself that there is anything significantly different. What i did find is that there is a different “feel” to it when looking at the image from an overview. Perhaps this “difference” is what is driving many to choose M9 over M240.

M9 is the camera that brought honor back to Leica in terms of producing a digital body. Back then M8 and M8.2 was full of issues so much so that anyone who is honest with himself could not help but wished for some serious fixes. Those fixes came in M9. Nobody complained about the M’s image quality, i know i never did. I was at war with myself when it comes to using rangefinder because of its archaic way of center focusing and less than stellar technology (read : LCD)

But now that the new M240 comes with much better LCD, live view and everything one would have wanted in the M, folks are reminiscence of M9.