Some say a tool is just a tool.
Some say a high quality sensor, FF and a set of premium lens helps a long way in making any images stands out more.
Some opt for higher resolution while others harp on low light performance and high iso cleanliness.
Some say all you need is the mobile phone since its the camera that is with you all the time.
Some swear on nikon, some canon, some says Sony mirrorless is the dawn of the new age.

All true.
All useless points.

I would like to share the following on my personal opinion on gears and how it actually affects our output and choices. You may be surprised at the conclusion that i settled on.

1. INSPIRATION MATTERS
Like every other creative work be it writing or painting. Creativity starts from inspiration. Without inspiration, you are as good as dead. What makes a particular work creative or inspirational is an inspired person.
A bigger sensor or bigger lens won’t grant you inspiration anymore than buying 2 pens allows you to write a successful novel.

2. GEARS THAT SPARKS INSPIRATION, WINS
There is a reason why the images shot on Elaine and those on Taylor differs greatly in style, tones, objective and appeal.
When i hold a D4, it feels like a professional, commercial tool. So despite that i usually talk to Elaine in a very casual way, when i am shooting with D4, you feel “inspired” to shoot something more of the higher-end genre of fashion.
When i hold the Konica Hexar, i feel i am holding a camera that have seen the ups and down of life. These inspiration comes from the very design and nature of the camera’s purpose and timeline. With the Hexar, you feel that life is to be appreciated in a simple way as though as your walking down memory lane.

3. Limitations are like physics.

Every action there is an equally opposing reaction. I can’t recall the exact words uttered by my physics teacher but this holds true not just in physics but in everything else. A limitation imposed by a camera causes you to use it in a very different way than a camera that does not limit you.

There was a time i got the Leica Xvario. A beautifully crafted camera that will have its owner going through a love/hate relationship. That camera have a mediocre 28mm f3.5->70mm f6.4. Ouch. You can’t get any worse specs than this in any new APSC camera.
But because i paid a silly amount for it, I was adamant to use it to the best of my knowledge and i actually spent time creating images that caters for that camera’s strength, IQ and natural muted colors.

The Xvario didn’t have any bokeh that i could use to isolate the subject so i had to use its rather deep DOF and decent image quality. That was the only time i agreed to go on a local trip driving up all the way to the hills.
I shot the above using F3.5. While this may surprised some but it highlights the personal struggle i had with the Xvario. I am only interested to shoot wide open any of my lens regardless of its make and at f3.5 i easily hand held the shot.

4. Ergonomics will break you or raise you

Before i ever owned a Leica, the logical side of me says that Leica users are either dumb ass or arrogant fools. I am a known veteran in the developer’s community and security. I founded the Python user group Malaysia, wrote some crazy shit VPN and Firewall from scratch and part of my code are were once used by the US ministry of Defense in mid 90s.
But when i hold my M9 few years ago, i just felt like going out to shoot. It was pretty silly because i am shooting models most of the time, before i could take one shot, my friend next to me took 10. The M9 felt fantastic when held on to, the knobs and dials are just there with a function.

I eventually argued myself out of it and went for the Sony A7r, during a time in 2013 when i had a fallout with someone i cared for very much. The Sony was cold, computer like camera that i distracted myself mostly by using all kinds of vintage lens on it. Everything just felt cold. My images became technically “clean” and scientific.

If you are reading this and where it is going you probably think that i am promoting leica. No. No, you can find extremely inspirational tools in film cameras as well. I borrowed a friend of mine a Nikon FM3A and the next day itself he is already sold on getting one despite being a digital user all these while. The FM3a is just so beautiful and simple that you can’t help but to feel like creating art with it.

Leica just got it right by keeping to the designs and film cameras. There are loads of solid, inspired-imbued film cameras just waiting for you. Please, just stay clear of Lomo plastics. If Lomo were to produce solid film cameras i would line up in support, but as of now, its anything but a toy.

5. Subject Matters
I am an advocate of portraiture because i believe the image of a person is priceless. The communication, friendship, joy and discovery that photography grants you could only be found in portraiture, not in scenery. While there are awesome sceneries that deserves to be in the hall of eternity, there is just no one else in eternity, like you.