I gave in to the alluring temptation of trying out the FujiChrome film simulation. How did this happened? Ever since i sold off all my full frame digital cameras like the leica ME and Nikon D610, i had only the d3000 nikon, F100 nikon film camera, a FZ1000 bridging digital 1″ sensor and two M7’s, a Bessa R3m and a Hexar for my M mount lenses. So you can see its 90% film cameras.
Shooting film been great and i truly enjoy photography and slowing down so much. However there are some films that are no longer in production and as i scoured through the internet looking at the tones and feel of some of these bygones film, i came across discussions about Fujifilm’s simulation of FujiChrome.
Fujichrome only exist in digital today, to be exact, it exist only as a jpg output on a digital Fuji camera. I resisted the idea of buying another camera since the whole exercise been done with and i could finally have “peace” 😉 but days of looking at the FujiChrome samples got the better of me. I went out and acquire a Fuji X-A2, the entry level Fuji, a M to Fuji adapter to use my M mount lenses and a 16mm f1.4.
It happened that two of my friends are coming down to Kuala Lumpur, two very attractive friends that is. So i took the opportunity to use the FujiChrome simulation and 3 lenses to produce some new albums. The lenses are 40mm 1.4 Voigtlander M(60mm on fuji), 28mm F2 Ultron (42mm on fuji) and 16mm f1.4 Fuji native lens.
The 16 f1.4 is an amazing lens. It could focus as close as 5 cm away and have shallow DOF for full body portraiture at a close distance.
I switched to Astia film simulation while using the manual 28 mm f2 (42mm) to see if it gets me what i want. I would say the results are good but i still prefer the FujiChrome tones. On the Fujifilm X-A2, i am unable to have the other film simulation like Acros but since the X-A2 is using a conventional CMOS sensor instead of the Xtrans II, i didnt need to waste time on my LightRoom, almost all the pictures you see here are cleaned up from its JPG instead of raw.
Just look at those beautiful FujiChrome tones. I can only wonder what if the film still exist today, how much more different can it be apart from actual film grains. Using 40mm f1.4 mostly for the rest of the images here, I realized that focusing on Fuji is easy and you can magnify a moveable focus point to aid in the focusing.
Eilein have a beautiful visage and a taller than normal asian nose bridge. Shooting her portrait from the side angle highlights her features while the interesting light at 8 am brings in some drama to the image.
I hope you enjoyed this series of mine. Overall i feel that Fuji did a very good job bringing FujiChrome film simulation to the public though i believe it still looks very digital in comparison to my other actual film albums.