I packed the Leica ME and visited Desmond of YL camera, a popular distributor of cameras both used and new in Malaysia. Desmond is a friendly guy, humble and realistic…
I had a lot of good memories using the Leica M9 and leica ME. In my last commissioned project on Charlotte i found myself depending on Nikon D3000 instead, a cheap USD 150 camera that i paired with the Sigma 50 1.4. The results are beautiful and both client and model are happy and popularity index soars.
The D3000 is just a 10.2 mp camera and few focusing points. It is however a hidden gem, one which if discovered, would cause a worldwide buy on it. I might as well let the cat out of the box so to speak. D3000 is nikon’s last CCD sensor camera and D200 is Nikon’s last pro-bodied CCD sensor camera, both are APSC.
Now back to the story. The Leica ME/M9? Lots of good memories with it. I used it on the Stephy first photoshoot in 2011.
I have sold it off before and switched to Nikon D4 -> the Sony A7r -> DF and i realized that the Leica M9 it was the preferred shooting experience for my own projects and shoot and i got the Leica ME back in 2014. The D4 and DF produces nice images no doubt.
Using back the Leica ME was a joy. My shooting was slower and instead of having 1300 files to process, i often have around 300 files at most. The experience of handling and using the D4, DF, A7r taught me the difference between CCD and CMOS and i wanted the FF CCD back, which was only available in the Leice ME/M9 series.
I “played” with the idea of shooting film back in 2015 and realized that for non-collaborative projects or commercial, the film experience yielded me more satisfactory outcome than digital. For commercial and CCD stuffs i have my d3000, D200 ready to kick in. But for street, model shooting for artistic projects, the film experience is just fantastic.
I found myself experiencing “disappointments” over my shots, thinking more for each frame that i use and having a lot more time to chat and to know the friends/models that i shoot with during the session. Often in digital during break time, i would hand the camera to the model and we goes thru the same dialogue of :
“can you delete that. sure, ok.”
“dont worry about this, i shot in raw, it could be salvaged”
“its a bit bluish cause its raw, i could easily adjust the temperature during edit”
With film, all these goes away into just shooting, meaningful dialogue and the surprise that greets you when you see your scan results uploaded by the processing lab.
I estimate that i spent at least half of my time in getting an album up vs my digital workflow. I didn’t need to use VSCO or editing to “tone” the raw files images since each film comes with its own tones and feel.
Along the months, i have decided that film is the way to go. The satisfactory-index level, if there is such a thing, is just high vs digital. So there i handed the ME over. The new workflow saves me time, something that i spent in a beautiful startup that i am attached to.
Notice the different feel on each of these images? They are different film. Changing film is like changing sensor. All the images above are shot with a range-finder like camera.
Now, after i handed in the Leia ME. I got myself 2 beautiful camera, same model, one silver and one black. Both film. I will end this post with a picture of the black model.
Thanks for reading and have a nice weekend.