The fuji superia 200 is a cheap film that deserves to be praised for its amazing colors. All the images here are taken as is without any editing. The picture of Ramona was taken in a dim cafe where the light comes from a small tungsten reading bulb. I am pleasantly surprised when the colors shows beautiful hues of pinks.
We found a cafe in Jaya One, started by a lovely couple George wong and his wife. George is an avid photographer whom have worked in sony and leica Malaysia as well. His wife focuses on street photography and runs this cafe accompanied by her two cats.
A simple portrait of Ramona with her just facing a natural light and behind her is just a board that the cafe used to pin up names and stick it notes. At f1.0, the rendering of this natural shot is a keeper. This is one of the reason i always prefer the natural outdoor even if it means outside a mall or office, the structures available and the tones of objects plays very well into the bokeh of noctilux.
This is a typical shot of a serious stare, no fashion poses needed. I couldn’t go back any further as the wall is about just 4-5 meters away from her. 50mm is strange focal length despite its popularity. The recent Leica Q have the coveted 28mm at f1.7, that focal length would be very suitable for outdoor portraits and dramatic isolation of subject. I am however more interested in the 28 f1.4 leica lens for my film usage.
The black frames of these windows cast a very nice shades of colors in film. Its almost as if the fuji creates auto complementary colors when you least expect. Just love it.
In this last photo, i wanted to capture the emotion of a person leaving a scene, as if saying “goodbye” with a tint of hesitancy. Ramona’s emotionless face and the film’s grain provided the right feel to the image.